Description
La musique est essentiellement du bop direct, mais les sept standards sont rehaussés par la présence de Merrill (en pleine forme) et de Brown ». (Scott Yanow) ! Tous les arrangements sont de QUINCY JONES
PERSONNEL:
HELEN MERRILL, vocals
CLIFFORD BROWN, trumpet
DANNY BANK, flute (out on A3 & B1)
JIMMY JONES, piano
BARRY GALBRAITH, guitar
MILT HINTON, bass (on A1-A2, & B2-B3)
OSCAR PETTIFORD, bass (on A3 & B1) & cello (on A4)
OSIE JOHNSON, drums (on A1-A2, & B2-B3)
BOBBY DONALDSON, drums (on A3-A4 & B1)
New York, December 22 (tracks A1, A2, B2 & B3)
& December 24 (tracks A3, A4 & B1), 1954.
*BONUS TRACK (B4):
Helen Merrill (vcl), Mike Simpson (fl), Dick Marx (p),
Fred Rundquist (g), Johnny Frigo (b), Jerry Slosberg (d).
Chicago, December 18 & 19, 1957.
SIDE A:
1 DON’T EXPLAIN (Holiday-Herzog) 5:13
2 YOU’D BE SO NICE TO COME HOME TO (Cole Porter) 4:22
3 WHAT’S NEW (Burke-Haggart) 5:04
4 FALLING IN LOVE WITH LOVE (Rodgers-Hart) 3:56
SIDE B:
1 YESTERDAYS (Kern-Harbach) 6:01
2 BORN TO BE BLUE (Hoffman-Silver) 5:15
3 ‘S WONDERFUL (George & Ira Gershwin) 3:16
4 BYE BYE BLACKBIRD (Hernderson-Dixon) 2:57*
